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Lauren Prousky


Exhibitions // Visual Art Projects
Pubic Mice
Microsoft Office Suite Presents: I Look Forward to Hearing Back 
handeye
a screen is a good servant to a soft animal in wait
Going up the down escalator (searching for a neutral path) 
open channel neutral agent 
Questions for a prebiotic broth
You can tell me more 
When we speak at the same time we speak the same language 
A spill that stays streaming
Collecting Dust
To build tiny monuments it to gather what’s there
Not for right now but keep just in case (BIG BAGS)
The glinting bones will go in my place (final performance in soup)
The Finally Frontier
JunkDrawerPhantomDressUpSoirée
Sometimes I worry I go too far

Gatherings // People Projects
failsafe
PoeticPolitic: Guided Writing for Collective Visioning
Black Tie Soup Night
Cha Cha Real Smooth: Art with Instructions
This Horizon Line is Bent at The Waist
Change of plans
Text Collective
Clutter Collaborator
Familiar Strangers
Little Eulogies for Stuff Departed
Buoyancy: Poolside Performances

Non-Fiction // Writing Projects
CAFKA.25 Writer-in-Residence 
Untitled (an essay by any other name would probably smell different)
Pinch 40.5: A Written Cabaret
My cuttlebone is a broken heart and it propels me forward
Becoming Slime
My Fruitless Love Affair With Sudoku
In defense of belly button lint and the hole that is nothing
Archive
Piles, colour coding, vessels, shelves and lists 

Fiction // Writing Projects
A brief overview of the stuntman economy
Trophy Case
Ushers
Too entirely horrible for the purposes of legitimate fiction
Word Limit
The Matinée

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I remember the shortlived enchantment I felt when I first learned about mood rings. It was shortlived because a more worldly kid (worldly here meaning “has a big sister”) inevitably had to break the news that mood rings tell your temperature and not your actual emotions. No matter though. I found alternate enchantment in the idea that colour could correspond to a bodily state and colour being used to reveal any data- even if it’s obvious- is undeniably a kind of everyday magic. So magical in fact, that it seems to have obscured the underlying premise of the mood ring, which, upon reflection, is something like: without me, your true emotions are ultimately unknowable.

The mood ring assumes you are a great mystery that only it can solve. Taking this claim at face value, I have to think that surely the omniscience of the mood ring doesn’t end with knowing the wearer’s feelings. In You can tell me more, I choose to believe in the mood rings’ supposed power and flatter it with a series of rituals to honour, cleanse, nurture and adorn.

You see, I think I know how I feel, but what do I really know? Mood ring will tell me. And just maybe, if I play my cards right, it could tell me even more.




Music and spoken word samples from chabad.org and steelyvibe on https://www.looperman.com/acapellas?mid=steelyvibe

Thank you to Ivan Jurakic and Sarah Kernohan from the University of Waterloo Art Gallery for the reflective material.

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Thank you to the Ontario Arts Council for supporting the exhibition of this work