Info ✨ CV

Lauren Prousky


Exhibitions // Visual Art & Performance Projects
Pubic Mice
Microsoft Office Suite Presents: I Look Forward to Hearing Back 
handeye
a screen is a good servant to a soft animal in wait
Going up the down escalator (searching for a neutral path) 
open channel neutral agent 
Questions for a prebiotic broth
You can tell me more 
When we speak at the same time we speak the same language 
A spill that stays streaming
Collecting Dust
To build tiny monuments it to gather what’s there
Not for right now but keep just in case (BIG BAGS)
The glinting bones will go in my place (final performance in soup)
The Finally Frontier
JunkDrawerPhantomDressUpSoirée
Sometimes I worry I go too far

Gatherings // People Projects
failsafe
PoeticPolitic: Guided Writing for Collective Visioning
Black Tie Soup Night
Cha Cha Real Smooth: Art with Instructions
This Horizon Line is Bent at The Waist
Change of plans
Text Collective
Clutter Collaborator
Familiar Strangers
Little Eulogies for Stuff Departed
Buoyancy: Poolside Performances

Non-Fiction // Writing Projects
CAFKA.25 Writer-in-Residence 
Untitled (an essay by any other name would probably smell different)
Pinch 40.5: A Written Cabaret
My cuttlebone is a broken heart and it propels me forward
Becoming Slime
My Fruitless Love Affair With Sudoku
In defense of belly button lint and the hole that is nothing
Archive
Piles, colour coding, vessels, shelves and lists 

Fiction // Writing Projects
A brief overview of the stuntman economy
Trophy Case
Ushers
Too entirely horrible for the purposes of legitimate fiction
Word Limit
The Matinée

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Ushers is a short film conceptualized by Ben Gorodetsky.  It was written by Ben, Aashay Dalvi and myself, shot and directed by Ben and stars me and Aashay. It was edited by Floating Head Video. We wrote and shot the film in one week, as artists-in-residence at the Registry Theatre in Kitchener. 

Ushers is a cinematic exploration of the labor dynamics and power imbalances encountered by front-of-house staff at a regional theater. It delves into the inner worlds of two ushers, offering a stylized journey into their desires for recognition and agency, typically unseen by theatergoers.

In this hallucinatory narrative, the ushers reimagine themselves in the spotlight: Aashay's character’s dream sequence unfolds as an absurdist neo-noir homage to the femme fatale archetype, while my character’s vision presents a poetic and parodic scene that challenges the language of white feminism and Instagram self-help poetry. Our shared fantasy culminates in a rebellion against the male gaze and the institutional gatekeeping of artistic expression. Portrayed through scenes that blend campy confrontation with geniune encouragement and support, Ushers frames creation as an act of class solidarity and care.