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Lauren Prousky


Exhibitions // Visual Art & Performance Projects
Pubic Mice
Nutcracker II
Microsoft Office Suite Presents: I Look Forward to Hearing Back 
handeye
a screen is a good servant to a soft animal in wait
Going up the down escalator (searching for a neutral path)
open channel neutral agent 
Questions for a prebiotic broth
You can tell me more 
When we speak at the same time we speak the same language 
A spill that stays streaming
Collecting Dust
To build tiny monuments it to gather what’s there
Not for right now but keep just in case (BIG BAGS)
The glinting bones will go in my place (final performance in soup)
The Finally Frontier
JunkDrawerPhantomDressUpSoirée
Sometimes I worry I go too far

Gatherings // People Projects
failsafe
PoeticPolitic: Guided Writing for Collective Visioning
Black Tie Soup Night
Cha Cha Real Smooth: Art with Instructions
This Horizon Line is Bent at The Waist
Change of plans
Text Collective
Clutter Collaborator
Familiar Strangers
Little Eulogies for Stuff Departed
Buoyancy: Poolside Performances

Non-Fiction // Writing Projects
CAFKA.25 Writer-in-Residence 
Untitled (an essay by any other name would probably smell different)
Pinch 40.5: A Written Cabaret
My cuttlebone is a broken heart and it propels me forward
Becoming Slime
My Fruitless Love Affair With Sudoku
In defense of belly button lint and the hole that is nothing
Archive
Piles, colour coding, vessels, shelves and lists 

Fiction // Writing Projects
A brief overview of the stuntman economy
Trophy Case
Ushers
Too entirely horrible for the purposes of legitimate fiction
Word Limit
The Matinée

︎  ︎







Collaborative zine with Jacob Irish.
Coming in Winter 2026.

“A Brief Overview of the Stuntman Economy” is a fabricated historical account of an economic system in which all undesirable labor is outsourced to a personal Stuntman, creating an infinite chain of employer/employee relationships.

The first part is written as an academic paper published centuries after the system’s collapse. It outlines how technological acceleration and social normalization bolstered by vague bureaucratic oversight gave rise to this economy.

The second half of the work is a recovered journal (a relic) belonging to an “average” Stuntman. Through first person accounts of courtroom observations, childcare, job loss, medical procedures and grief, the relic undermines the supposed neutrality of the system established in part one to explore the psychological byproduct of a completely bifurcated existence.  

Combined, the two parts implement late-capitalist logic to imagine a world where life is flattened into a series of transferable tasks and inconvenience itself becomes the only profession. The result is a quietly tragic satire about how the systemic outsourcing of human experiences distorts and destabilizes the self.